Thursday, June 26, 2008

Jan van Eyck

Jan van Eyck (sounds like: Yahn vahn Ike) was born in the Netherlands. He was a Renaissance painter but lived earlier than the Italian painters we have already looked at. No one is sure exactly when he was born but it was probably in the late 1380s or early 1390s.

Van Eyck’s older brother, Hubert van Eyck, was also a painter. He probably taught his little brother how to draw and paint. The brothers were both court painters and are believed to have worked together on some paintings.

In 1421, Jan van Eyck became a master painter and went to work for John of Bavaria. At the time he was the Count of Holland. When John of Bavaria died, van Eyck became court painter for the Duke. He was a loved and respected painter even during his lifetime.

The Duke treated van Eyck well and paid him a lot. He feared that van Eyck would seek work elsewhere and the Duke would never find a painter as talented. Most painters of the time worked for anyone who would hire them and had to worry about how they would be able to pay for things. Until van Eyck died, he worked for the Duke. He never had to worry about money.
Van Eyck painted many portraits, including the Arnolfini Portrait, shown above. This painting is very famous. You may have seen it before. It is the oldest oil painting on wood panel that was admired and became well known. It is also extremely detailed. Look at the close up of the mirror (shown below). You can see the Arnolfinis reflected in the mirror and two other people standing in the doorway. It is believed that one of the people is van Eyck. Above the mirror it says “Johannes de eyck fuit hic 1434” which means “Johannes van Eyck was here 1434.” What a strange thing to write in the center of a painting! Especially by someone who usually signed only the frames of his paintings.
Van Eyck also painted religious scenes. Shown below is the Annunciation. I love that everyone he painted had skin like porcelain dolls.
Finally, look at Portrait of a Man. This is believed to be a self-portrait but there isn’t really any evidence that this man is van Eyck. One thing to notice, though, is that the head is a bit too large for the body. This is something van Eyck often did. You may have noticed it in the Annunciation, also.
Notice how bright all the colors are, too. Van Eyck was a master with oil paints which are much brighter than the tempera paints used by many painters who came before him. He was one of the first to use oil paints to their full potential.
Van Eyck died in 1441. The Duke continued to support van Eyck’s wife after his death and, later, gave his daughter the money she needed to become a nun.

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Wednesday, June 25, 2008

Titian

No one is sure when Titian was born but it was sometime between 1477 and 1490. He painted during the Renaissance and became the leading artist of Venice.

Even as a young boy Titian was a good artist. His drawings caught his father’s attention and Titian became an apprentice. His teachers were well-known master painters and included Gentile Bellini and Giovanni Bellini. The painter who influenced young Titian the most, though, was Giorgione.
Titian and Giorgione were friends but also rivals. They often worked on the same projects and each learned from the other as they grew as painters. The painting shown above was created as a team Titian and Giorgione. It is Portrait of a Venetian Gentleman. Even art historians sometimes have difficulty telling which paintings were painted by which of these artists. Titian eventually developed his own style.
When Giovanni Bellini died, Titian was hired to complete the paintings Bellini had left unfinished. He did a good job and he was asked to paint frescos in the Doges Palace and other government buildings. Because of this commission, Titian painted portraits of several Dukes.
Titian painted many portraits and he created altar pieces for churches throughout Venice.
Much of Titian’s work has been lost or destroyed. There was a fire in the Doges Palace in 1577 which destroyed many pieces. Late in his life he began finishing copies of his paintings that his students began. Because so many copies were made during his life and after, it is hard to tell how many paintings he really worked on.
Titian died of the plague in 1576.

The paintings above, in order, are Portrait of a Venetian Gentleman, Assunta, Allegory of Age Governed by Prudence, and La Bella.

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Tuesday, June 24, 2008

Raphael

Raphael Sanzio, known as Raphael, was a master painter during the Renaissance. Like Leonardo da Vinci, Raphael had many interests other than painting. He studied archaeology, poetry, history, and architecture. This post will focus mostly on his art.

Raphael was born in Urbino, Italy in 1483. His mother died when he was only 8 years old. His father was talented and taught Raphael a great deal about art. Saddly, he died only three years after Raphael’s mother.

Raphael lived with his uncle for awhile and then with his stepmother. Soon he became the apprentice to Pietro Perugino. Raphael was a fully trained master in 1501.

When he was 21 years old, Raphael moved to Florence. In Florence, he met Michelangelo and Leonardo da Vinci. He studied the work of many masters and improved his own art. At the age of 26, Raphael was considered one of the most important painters in Italy. At the time, Florence was the center of the art world.
Raphael painted portraits of many famous and wealthy people. The one shown above is Portrait of Bindo Altoviti.
When Raphael was not painting portraits, he painted group scenes like the one shown above, School of Athens. He created many of these paintings for the Vatican in Rome. (This painting was completed on a wall in the Vatican City.) In group scenes, Raphael often used people he knew as models. Another example of a group scene is The Miraculous Draught of Fishes, shown below.
He died in 1520, leaving a large number of paintings, many of which were at the Vatican.

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Monday, June 23, 2008

Create Your Own Leonardo da Vinci Journal

Thanks for waiting patiently for a post today. I’m caught up now with my school work.

Leonardo da Vinci observed everything around him. He often took notes about what he saw. He also wrote down the things he learned from his studies and experiences. He kept journals throughout his life which included writing, drawings, and diagrams. There was something strange about his journals, though: he wrote everything backward.

Leonardo wrote in mirror writing. The writing looks like a mess but if you hold it up to a mirror you can read it perfectly (if you read Italian). Some believe that Leonardo did this to keep his work secret. Others think he wrote backward because he was left-handed and didn’t want to the ink to smudge. Either way it’s pretty tricky.

Today, make your own journal and record your observations like Leonardo did.

Supplies Needed:

5 (or more) sheets of copy paper
1 piece of cardboard or heavy paper
Needle and thread
OR
Hole punch and yarn
Fold each sheet of paper in half. Stack the folded sheets inside each other. Your journal should already look like a book. Fold the heavy paper or cardboard to create a cover.
Older kids can open the book to the center and sew along the fold line.
Younger kids should have a parent help them punch holes down the left side of the closed book. Then, weave the yarn through the holes and tie off at the end. Use a dull, plastic yarn needle or just push the yarn through with your fingers.

Decorate the cover anyway you wish.

Take your journal outside and record what you see. You may wish to try your hand at mirror writing or make up your own secret writing.

Friday, June 20, 2008

The Second Mrs. Gioconda by E.L. Konigsburg

If you are interested in Leonardo da Vinci, and there is a lot more to him than what I told you yesterday, you should read The Second Mrs. Gioconda by E. L. Konigsburg.

You may remember E. L. Konigsburg as the author of From the Mixed Up Files of Mrs. Basil E. Frankweiler. She is a fantastic writer and The Second Mrs. Gioconda is another great story.

In this novel meant for readers ages 9-12, Konigsburg gives one possible story of the painting of the Mona Lisa. The Mona Lisa is an incredibly mysterious painting. We don’t really know much about the woman in the painting and we don’t know what led Leonardo da Vinci to paint her portrait. Konigsburg answers these questions (but remember this book is fiction).

The main character is Salai, one of Leonardo’s servants. Salai never had talent for painting. He was dishonest and he was a thief. Nevertheless, Leonardo liked the boy and kept him around. It is through Salai that you will get to know Leonardo.

I recommend checking out this book.

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