Graeme Base

Graeme Base is one of those illustrators who covers every millimeter of page with color. Every time you read a book by Graeme Base you will discover something new in the illustrations. I have not, unfortunately, had the pleasure of reading every book Graeme Base has ever written, but I have read quite a few. Today, I’d like to share a few of my favorites.

Uno’s Garden tells the story of a man named Uno who moves into the forest and builds a small house. When he arrives, there are all kinds of amazing animals, created and named by Graeme Base. There are Moopaloops, and Lumpybums, Snagglebites and Flipperflaps, and one completely ordinary Snortlepig. But over time, people move into the forest and put up buildings. The plants and animals slowly disappear until there are none left. Eventually the people realize their mistake—they have thrown off the balance between humans and nature. Over generations, they put the forest back in order so the plants and animals can return.

Not only is this a wonderful story with fantastic illustrations, but it teaches about environmental issues as well as natural and manmade resources. Furthermore, in the upper right corner of each page is a tally. Each tally tells, in pictures and numbers, how many of each animal, plant, and building can found in the forest and on the page. The animals increase by one each page, the plants are always the number of animals squared (2 X 2, 3 X 3, etc.), and the buildings double. Would you like a little math with your story book? The tallies turn every page into a seek-and-find. Those are always fun.

The Water Hole also deals with natural resources. In the wilderness there is a large water hole that all the animals want to drink from. First, one rhino drinks from the water hole. He is soon joined by two tigers, then three toucans. Soon, there are hundreds of animals drinking from the water hole. But as the animals drink from the hole, it becomes smaller and smaller (and the dye cut circle in the center of Graeme Base’s genius illustrations becomes smaller and smaller, too).

I especially love the way Graeme Base shows the animals talking. He writes out the noises they make and then translates them in parentheses!

And finally, the very first Graeme Base book I ever read, The Worst Band in the Universe. This book will always hold a special place in my heart. It is much longer than the other two books I talked about today and it is recommended for kids aged 9-12.

On the planet Blipp, no one is allowed to create new music. They can only play ancient music. But Sprocc longs to create and perform new songs.

One day Sprocc plays a new song and the Musical Inquisitor becomes enraged. Sprocc knows that if he cannot create new music on Blipp then it is not the place for him. He leaves his home for a new planet, one where he can play his own music.

On this planet, called Squaag, he finds a contest that seeks the worst band in the universe. He is told that on Squaag it is better to be the worst band than the best, that here the meanings are reversed. As Sprocc soon discovers, though, it’s all a trap.

You’ll have to read the book yourself, though. I don’t want to ruin all the twists of this clever rhyming story. The wacky and aliens and their foreign instruments make the illustrations this book perfectly suited to older children.

There are many more great books by Graeme Base. Among his most beloved are Animalia and Eleventh Hour. Check out any of his books and you will certainly be delighted.

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Great Children's Book Illustrators

There are many great children's book illustrators. Sometimes the artwork in picture books blows me away. So it's about time I started posting about some of this great art.

You've already read about Eric Carle and maybe created your own painted tissue paper Valentines. Awhile back, I reviewed a book called The Secret Art of Dr. Seuss, which you may remember. But that's it. Three posts out of 350 were about children's book illustrators...

So in the coming weeks, beginning tomorrow, I will post Fantastic Fiction Friday on Thursday. On Friday, you'll find a project related to that week's illustrator.

I'm so excited about this.

If you've been looking for projects that relate to a specific book or illustrator, leave me a comment. No guarantees, but I'll do my best to post a project for you.

Up first: Graeme Base.

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Paint Your Own Aboriginal Boomerang

You learned yesterday that Aboriginal artists in the desert often paint on objects like rocks, water carriers, and boomerangs. Today, paint your own Aboriginal boomerang.

Supplies Needed:

Construction Paper
Pencil
Scissors
Boomerang Tracer (optional)
Paint
Paintbrush
Q-Tips
Cover your workspace.

Choose a piece of construction paper. Any color will work, but I recommend using brown, yellow, orange, or black. I chose to use orange.

If you have a boomerang tracer, trace it onto your construction paper. If not, draw your own boomerang. Look at my example at the bottom of the page to help you with the shape.

Use your paintbrush to paint some shapes onto your boomerang. I drew two watering holes (circles) and some animal tracks (squiggly lines).

Using a different Q-Tip for each color, outline your shapes with dots. When you do this, you are making concentric shapes, just like the Aboriginal desert artists.
Cover your entire boomerang with paint. Let it dry, then hang it and enjoy!

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Aboriginal Art, Part III- Desert Art

Aboriginal artists living in the desert have many of the same beliefs as those living in Arnhem Land and the Kimberley region. If you need to, please refresh your memory on what those beliefs are.

In the 1950s, the Aborigines from several desert areas were moved to Papunya in the center of Australia. The Aborigines were forced to move because the Australian government needed their land to graze cattle on. The government also wanted to mine on the Aborigines’ land. The Aborigines were not happy about the move.

Most Aborigines living in the desert had lost interest in creating art. But in 1971, a teacher encouraged them to paint murals. He brought art supplies to the Aborigines, and children and adults alike began to love creating art. This love of art spread and now many desert artists earn their livings painting.

In Aboriginal desert art, you’ll see a lot of circles. These circles are usually meant to show water holes. Water, as you can imagine, is very important in the desert. Sometimes the circles are holes that have been dug by animals.

Sometimes desert artists paint animals, but you will notice far more animal tracks than actual animals in their art work.

Desert art includes a lot of concentric shapes. This means that the artist paints a shape, then outlines it in another color, then another color, then another color. Usually, these shapes are made up of many tiny dots. You’ve seen dots in Aboriginal art from Arnhem Land and Kimberley, but the desert artists often cover nearly their entire pieces with dots. To me, the dots look like grains of sand. What do you think?

Desert artists are also known for painting on objects such as boomerangs, water carriers, rocks, and even bodies.

Enjoy this gallery and this gallery of Aboriginal art from the desert. If you click on a painting, you can read its story.

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Aboriginal Art, Part II- The Kimberley Region

In the Kimberley area, Aborigines usually paint on canvas or board. Sometimes they paint on bark like the Aboriginal artists in Arnhem Land that you read about on Tuesday.

Artists in the Kimberley area use natural colors made from natural materials, but they also use manufactured acrylic paints. This means that they can use a wide variety of colors in their paintings.

The Kimberley artists believe many of the same things that artists in Arnhem Land believe. You’ll see a lot of animals in their artwork because they believe, like Arnhem Land Aborigines, that the land was created to look like animals.

They also paint pictures that show weather such as cyclones and dust storms. These paintings don’t look like photographs, though. Sometimes artists choose to show the path a storm takes rather than the storm itself. Sometimes the artist does paint the storm, but in an abstract way.

Aborigines in the Kimberley area have a myth that is often portrayed in art from the area. According to the myth, creatures called Wandjina came out of the sea and sky and left paintings of themselves on rocks. The spirits of the Wandjina are believed to live in the places where their images appear. They were very powerful and could even control weather. Sometimes they brought good luck, but if they were made angry they could create heavy rains or floods or cyclones.

The Wandjina look human, with thick noses, long eyelashes, and halos or spiky hair. They are usually painted on a white background in yellow, red, or black.

Check out this photo gallery of people creating and enjoying artwork from the Kimberley region. See if you can find the painting of Wandjina.

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