Showing posts with label Derain. Show all posts
Showing posts with label Derain. Show all posts

Friday, March 14, 2008

Andre Derain

Andre Derain was such a star during most of his life but I would guess that many of you hadn’t heard of him before yesterday’s post on fauvism. After today, all that will be changed!

Andre Derain was born in 1880 just outside of Paris to a pastry chef. He was a terrible student but he was great at drawing and, when he was fifteen, began painting lessons. It was because of these lessons that Derain met
Henri Matisse who would also become a fauvist.

In 1900, Derain and his new friend, Maurice de Vlaminck, rented an old restaurant to use as a studio. During this time Derain
studied the works of the masters that hung in the Louvre and he visited new exhibits to keep up to date on the happenings in the art world. He was called into military service at the end of 1900 but before he left he introduced Vlaminck and Matisse, thus paving the way for fauvism.

When he returned from the service in 1904, Derain’s career began to pick up. A wealthy art collector bought all the paintings in his studio in 1905, then Derain showed at the Salon des Independants where he sold four paintings. Later that year he showed at the Salon d’Automne where the fauvist movement got its name. (Shown below is Collioure.)

In 1906, the art collector who had bought out Derain’s studio wanted more paintings. Derain went to London to create these paintings which became some his most popular and most famous. Below is London Bridge, one of thirty paintings Dearain completed in London.
Late in 1906, Derain met
Picasso. This friendship would last for many years and Picasso would influence Derain to experiment with cubism (like in the painting shown below, Cubist Grove, which is cubist more in color than in overall style) as the fauvists began to move on to other styles.
Derain illustrated two books around this time, one by Guillaume Apollinaire and a book of poetry by Max Jacob.

Around 1911, Derain’s work began to show the influence of the old masters he had studied at the Louvre. In 1914 he was again called into military service. When he finished his duty in 1919 he continued to develop in this more classical style. Below is Portrait of a Young Girl in Black, an early example of Derain's later style.
Derain became even more popular and he was thought highly of throughout the art world and beyond. In the year leading up to World War II, however, Derain’s downfall began. Hitler’s foreign minister wanted Derain to paint a family portrait. Derain did not paint the portrait but he did go to Germany on an official visit. This was not a popular thing to have done and after the war Derain could never regain his position in the art world. Several negative books were published about him during his lifetime which made him unsure about his work. He couldn’t create the way he used to.

He lived his final year with an eye infection and was then killed by a car in 1954.

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Current NaNoEdMo Hour Count: 13.5/50hours
Yeah. I'm not doing so well with this but those 13.5 hours have made a huge difference.

Thursday, March 13, 2008

Fauvism

No post yesterday because I was sick… again. I’m still feeling run down but it’s nothing like how I felt last night.

Anyway, on to fauvism (sounds like: foe-viz-um).

Fauvists used exaggerated colors when painting subjects. In fact, color was the most important aspect of a fauvist painting, with the subject taking a backseat. For example, when painting a portrait of a woman with very dark hair, a fauvist might choose to use blue in the hair to show just how dark it was. He might use yellow for the skin instead of a carefully mixed bronze. Shadows might be drawn in greens and purples instead of grey.
Shown above is Andre Derain’s The Turning Road, L’Estaque. I love this painting for the way Derain has taken the colors of the changing fall leaves and used those colors throughout the painting, in the trees, the earth, and the people.

Fauvism began in 1905, though artists were moving toward this color-based style of painting before this time. Fauvism in some ways grew out of the impressionism movement that van Gogh was a part of. Vincent van Gogh had a great influence on the fauvists. His use of color affected Henri Matisse (whose Woman with a Hat is shown below) and it affected Maurice de Vlaminck.
Most people didn’t like this new movement. It was called fauvism by an art critic. Fauvism means “the wild beast” and it was not meant as a compliment. Some wealthy art buyers did purchase paintings, though, which allowed the artists to continue working.

By 1908 the movement had run its course and many of the artists involved moved on to other styles. Georges Braque, for instance, moved on to cubism. You can see this in the two paintings shown below, Spared from the Storm (1906) and Houses at L’Estaque (1908). Look at the change in style that happened in just two years!
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Current NaNoEdMo Hour Count: 13.5/50hours