Ribera lived in Rome until about 1616. There, he studied the work of great painters of the time. This was the end of the Renaissance and there were great painters everywhere.
Finally, Ribera moved to the Kingdom of Naples. Today, Naples is a port city on the south-western coast of Italy. In Ribera’s time, Naples and the towns around it made up the Kingdom of Naples and was ruled by Spain. Ribera made an impression on the Spanish Viceroy, or ruler, of the Kingdom of Naples, and the man bought some of Ribera’s paintings.
In 1647 and 1648, when Ribera was sick and the people of Naples were rebelling against Spanish rule, the Viceroy even let Ribera stay at the palace. Ribera died in 1652.

Ribera’s paintings were extremely realistic. He wanted to paint the world the way it really was and that included the bad things. He especially liked to paint people in pain. Ribera was very good at showing pain of the faces of his subjects. Look at the painting above, The Deliverance of St. Peter.
In his early paintings, Ribera used a strong contrast between light and dark to create murky looking paintings. The painting above, Jerome Hears the Trumpet, is one example. Around 1630, Ribera moved away from this. He began to create paintings that seemed to glow with dim light. An example of this is Saint Francis of Assisi, shown below.
Check back tomorrow for another Spanish painter.Return to main page.


Bruegel was born sometime in the late 1520s. His name was originally spelled with an “h” (Brueghel) but he dropped it in 1559. There were many artists in his family and this made it easy to tell him apart. Bruegel served as apprentice to Pieter Coeck van Aelst until 1551 when he became a master painter.
As you can see in the paintings shown here, Bruegel liked to paint peasants. He often dressed up as a peasant and wandered through towns looking for inspiration. This earned him the nickname “Peasant Bruegel”
Bruegel died in 1569.
Van Eyck painted many portraits, including the Arnolfini Portrait, shown above. This painting is very famous. You may have seen it before. It is the oldest oil painting on wood panel that was admired and became well known. It is also extremely detailed. Look at the close up of the mirror (shown below). You can see the Arnolfinis reflected in the mirror and two other people standing in the doorway. It is believed that one of the people is van Eyck. Above the mirror it says “Johannes de eyck fuit hic 1434” which means “Johannes van Eyck was here 1434.” What a strange thing to write in the center of a painting! Especially by someone who usually signed only the frames of his paintings.
Van Eyck also painted religious scenes. Shown below is the Annunciation. I love that everyone he painted had skin like porcelain dolls.
Finally, look at Portrait of a Man. This is believed to be a self-portrait but there isn’t really any evidence that this man is van Eyck. One thing to notice, though, is that the head is a bit too large for the body. This is something van Eyck often did. You may have noticed it in the Annunciation, also. 
Titian and Giorgione were friends but also rivals. They often worked on the same projects and each learned from the other as they grew as painters. The painting shown above was created as a team Titian and Giorgione. It is Portrait of a Venetian Gentleman. Even art historians sometimes have difficulty telling which paintings were painted by which of these artists. Titian eventually developed his own style.
Titian painted many portraits and he created altar pieces for churches throughout Venice.
Much of Titian’s work has been lost or destroyed. There was a fire in the Doges Palace in 1577 which destroyed many pieces. Late in his life he began finishing copies of his paintings that his students began. Because so many copies were made during his life and after, it is hard to tell how many paintings he really worked on.
Titian died of the plague in 1576.
Raphael painted portraits of many famous and wealthy people. The one shown above is Portrait of Bindo Altoviti.
When Raphael was not painting portraits, he painted group scenes like the one shown above, School of Athens. He created many of these paintings for the Vatican in Rome. (This painting was completed on a wall in the Vatican City.) In group scenes, Raphael often used people he knew as models. Another example of a group scene is The Miraculous Draught of Fishes, shown below.
He died in 1520, leaving a large number of paintings, many of which were at the Vatican.
During the Renaissance, artists were able to create art that was even more realistic than the art of the ancient Greeks and Romans. Renaissance artists were the first to study perspective and use it in their art. (I’ve already posted about perspective.