Showing posts with label Renoir. Show all posts
Showing posts with label Renoir. Show all posts

Thursday, January 8, 2009

Pierre-Auguste Renoir

Pierre-Auguste Renoir is one of the most well-known and beloved Impressionist painters. He painted Luncheon of the Boating Party (the first painting shown below), which hangs at the Phillips Collection in Washington, D.C. He also painted Girl with a Watering Can (the second painting shown below) which can also be found here in D.C., at the National Gallery of Art, but which I remember best from the print that used to hang in my aunt’s entryway. The third painting shown below is one of Renoir’s most famous, Moulin de la Galette.
Renoir was born in 1841. His family moved to Paris when he was 3 years old. Even as a child Renoir showed a talent for art and began painting porcelain when he was 13.

He worked a few jobs but decided quickly that he wanted to be a painter. He went to school at the Ecole de Beaux-Arts and studied the master paintings that hung at the Louvre Museum. He learned to paint polished, realistic paintings which he displayed at the official Salon beginning in 1864.
You may remember that artists who wanted to show their work at the Paris Salon had to send their work in to be accepted by a group of judges. The judges decided whose work was good enough to be displayed. For this reason, Renoir showed his most realistic paintings at the Salon. That was what was popular at the time.

Renoir met many of the painters who would become Impressionists. He and Claude Monet painted together several times. They would find a nice scene outside, set up their canvases, and paint quickly. They needed to capture the most important parts of the scene before the light changed. That’s why Impressionist paintings always look like they were painted quickly with fast brushstrokes and few details.

In 1870 France and Prussia went to war. Most artists of the time did not go to war, but Renoir did. When he returned, he moved into a studio in the center of Paris. He spent the next 10 years painting scenes of Paris life.
The first Impressionist exhibition opened in 1874. The Impressionist decided together which pieces would be shown. They hung the paintings at one level so each piece could be seen. They let visitors decide which paintings were the best, instead of telling them the way the Impressionists felt the Salon had. People liked the show and critics said good things about the Impressionists. Most of the paintings did not sell, though.

The Impressionists showed their work at their own exhibitions over the next few years, anyway. The style grew in popularity.

After the first exhibition, some collectors began asking Renoir to paint for them. This gave him money to continue painting in the Impressionist style. He used some of the money to travel. The collectors also helped make him even more famous.

In 1882, Renoir painted with Gauguin in the south of France. Over time Renoir split off from the other Impressionists. He did not show his work in the final Impressionist exhibition in 1886.
From 1885 and 1901, Renoir married and had three children. When his third child was born, Renoir was 60 years old. He continued to paint but many of his paintings from this time showed children and family life, like the painting shown above, Girls at the Piano.

In 1919, Renoir died. He was 78.

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Monday, September 29, 2008

Stolen Renoir Painting Has Been Recovered

Sorry for last week's lack of posts. I've been sick. I still haven't completely recovered, but I think another day of rest will do the trick. I'm feeling much better.

You may remember the series I posted about art theft. Today, I'm pleased to share with you a case that has been solved.

In 1975, a Pierre-Auguste Renoir painting was stolen from an art restorer's lab in Milan, Italy. The private owners of the painting had sent it to the restorer to have some repairs done. The painting is not one of Renoir's most valuable but would still sell for about $735,000 today.

During the summer, the people who had the painting contacted an art critic. They wanted to know what the painting was worth. They probably thought they had waited long enough (33 years) that no one would remember that the painting had been stolen, but the art critic called the Italian police. When the theives took the painting from a back vault in Italy, the police were waiting.

After 33 years, the owners will get their painting back!

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Thursday, February 28, 2008

Complementary Colors

According to the Oxford English Dictionary, fifth edition, a complementary color is “a color that combined with a given color makes white or black.” This is something you can test on your own. Use yellow, red, blue, green, orange, and purple. Mix two colors at a time in as many combinations as you can think of. What are your results?

To make the idea of complementary colors easier to understand, I am linking to a color wheel. Go look at it before you continue reading.

Complementary colors lay exactly opposite each other on the color wheel. In the simple color wheel you just look at, yellow is complementary to purple, red is complementary to green, and blue is complementary to orange.
When complementary colors are place next to each other, both look bright. This has been used to great effect in many paintings. Below, look at van Gogh’s use of red and green in Night CafĂ© (above).
Renoir’s use of blue and orange in Boating on the Seine.
Yellow and purple in Degas’ Woman Drying Her Hair. (This was painting at the end of Degas’ life when his eyesight had begun to fail.) Look how much more intense the yellow in the wall is than the red when placed against the purple of the woman’s body.

Try placing complementary colors side by side in your own painting and notice how bright the colors look.

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