Are you feeling well rested? Good! I have plenty more information to share with you about Georges Seurat and Sunday Afternoon on the Island of La Grande Jatte. If you missed yesterday’s post, go read it before you read on. Just to make things easier, I re-posted La Grande Jatte below so you won’t have to keep flipping between posts.
And now, back to Seurat’s biography, where we left off yesterday. In 1883, and it took all of 1883, Seurat painted his first large masterpiece, Bathing at Asnieres, shown below. The Paris Salon didn’t like it, though, and wouldn’t let Seurat show it at their exhibition. As you can imagine, this frustrated Seurat and he and other artists formed their own group, the Societe des Artistes Independants.
In 1884 he began his best known piece, Sunday Afternoon on the Island of La Grande Jatte (shown at the beginning of this post). He finally finished it in 1886, two years later. This painting is now on display at the Art Institute of Chicago and has been since 1926. It is a massive piece of about 10 feet wide by 6 feet tall and is worth the trip. If you do get the chance to see the painting up close, notice that there is a shadow in the distant trees that looks like someone lurking. Also look closely at the skirt of the woman with the monkey. In person, you can see that Seurat made the skirt larger after the painting was finished. This painting is a great example of why it’s important and preferable to view original paintings than photos of paintings on glossy pages.
Incidentally, the Art Institute of Chicago is offering free admission to its permanent collection during February 2008. Two excellent exhibitions will be opening in February, Edward Hopper, who painted the famous Nighthawks (shown below), and Winslow Homer, on whom I’ve already posted. If you’re interested in Winslow Homer don’t forget to check out the review I posted on Anna Kirwan’s Of Flowers and Shadows. (If you visit, you will have to pay for the special exhibitions, but not the permanent collection which includes La Grande Jatte.)
And now, back to Seurat’s biography, where we left off yesterday. In 1883, and it took all of 1883, Seurat painted his first large masterpiece, Bathing at Asnieres, shown below. The Paris Salon didn’t like it, though, and wouldn’t let Seurat show it at their exhibition. As you can imagine, this frustrated Seurat and he and other artists formed their own group, the Societe des Artistes Independants.
In 1884 he began his best known piece, Sunday Afternoon on the Island of La Grande Jatte (shown at the beginning of this post). He finally finished it in 1886, two years later. This painting is now on display at the Art Institute of Chicago and has been since 1926. It is a massive piece of about 10 feet wide by 6 feet tall and is worth the trip. If you do get the chance to see the painting up close, notice that there is a shadow in the distant trees that looks like someone lurking. Also look closely at the skirt of the woman with the monkey. In person, you can see that Seurat made the skirt larger after the painting was finished. This painting is a great example of why it’s important and preferable to view original paintings than photos of paintings on glossy pages.Incidentally, the Art Institute of Chicago is offering free admission to its permanent collection during February 2008. Two excellent exhibitions will be opening in February, Edward Hopper, who painted the famous Nighthawks (shown below), and Winslow Homer, on whom I’ve already posted. If you’re interested in Winslow Homer don’t forget to check out the review I posted on Anna Kirwan’s Of Flowers and Shadows. (If you visit, you will have to pay for the special exhibitions, but not the permanent collection which includes La Grande Jatte.)
Seurat lived a short life which ended in 1891 when he was just 31 years old. He had two sons, one of whom was born after Seurat’s death. Nothing is known of the children.
EDITED TO ADD: Paint Your Own Pointillist Picture
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