Cubism

In the early 1900s, some artists became interested in African and Native American art. The styles of those cultures inspired cubism.

Cubism began in France in 1907. Pablo Picasso and George Braque began painting figures that were made up of cubes, spheres, cylinders, cones, and other geometric shapes. The paintings looked like someone had cut them up and glued them back together.

And that’s exactly what the cubists had in mind. Just like the ancient Egyptians, cubists wanted to show the most important parts of the things they painted. Look at the face in Juan Gris' Portrait of Picasso (above). Gris shows you every detail of Picasso's face even though you would never be able to see all sides of his face at the same time. The cubists took this idea much further than the ancient Egyptians, of course. Cubists wanted to show all the sides of an object in the same picture.

Some cubist paintings were extremely abstract. In Picasso’s The Guitar Player (above), it is difficult to see the person in the painting.

At first, cubists used very little color in their paintings. They used mostly browns, greys, and blues. In 1912, color re-entered the picture and some artists, like Picasso, began using more then just paint and canvas in their art. You may remember reading about Picasso’s musical collages in which he used paper and cloth in his paintings.

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Fauvism

No post yesterday because I was sick… again. I’m still feeling run down but it’s nothing like how I felt last night.

Anyway, on to fauvism (sounds like: foe-viz-um).

Fauvists used exaggerated colors when painting subjects. In fact, color was the most important aspect of a fauvist painting, with the subject taking a backseat. For example, when painting a portrait of a woman with very dark hair, a fauvist might choose to use blue in the hair to show just how dark it was. He might use yellow for the skin instead of a carefully mixed bronze. Shadows might be drawn in greens and purples instead of grey.
Shown above is Andre Derain’s The Turning Road, L’Estaque. I love this painting for the way Derain has taken the colors of the changing fall leaves and used those colors throughout the painting, in the trees, the earth, and the people.

Fauvism began in 1905, though artists were moving toward this color-based style of painting before this time. Fauvism in some ways grew out of the impressionism movement that van Gogh was a part of. Vincent van Gogh had a great influence on the fauvists. His use of color affected Henri Matisse (whose Woman with a Hat is shown below) and it affected Maurice de Vlaminck.
Most people didn’t like this new movement. It was called fauvism by an art critic. Fauvism means “the wild beast” and it was not meant as a compliment. Some wealthy art buyers did purchase paintings, though, which allowed the artists to continue working.

By 1908 the movement had run its course and many of the artists involved moved on to other styles. Georges Braque, for instance, moved on to cubism. You can see this in the two paintings shown below, Spared from the Storm (1906) and Houses at L’Estaque (1908). Look at the change in style that happened in just two years!
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